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Dorrab - 117 Etudes For Santour/Santoor - For Beginner to Advanced Santour Students by Sourena Sefati with CD
Dorrab - 117 Etudes For Santour/Santoor - For Beginner to Advanced Santour Students by Sourena Sefati with CD
Dorrab - 117 Etudes For Santour/Santoor - For Beginner to Advanced Santour Students by Sourena Sefati with CD
Dorrab - 117 Etudes For Santour/Santoor - For Beginner to Advanced Santour Students by Sourena Sefati with CD
Dorrab - 117 Etudes For Santour/Santoor - For Beginner to Advanced Santour Students by Sourena Sefati with CD

Dorrab - 117 Etudes For Santour/Santoor - For Beginner to Advanced Santour Students by Sourena Sefati with CD

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Dorrab - 117 Etudes For Santour/Santoor - For Beginner to Advanced Santour Students by Sourena Sefati

The book "Dorrab" (Vol. I) comprises one hundred and seventeen etudes divided into nine independent sections for the Santour. These sections include etudes covering single-hand exercises (right and left hands separately), tremolos, passages, arpeggios, double-mallet (mezrab), two-right & two-left, arpeggio-double mallet, reversed Dorrab (Dorrab-left), and counterpoint. In this manner, efforts have been made to provide suitable exercises for all technical dimensions of this instrument. All etudes are notated in the Shur scale in G, ensuring that the performer does not need to alter the instrument's tuning for different sections of the book. For performing the etudes in the book, a specific speed or tempo is not essential. It is recommended to use a metronome for each etude, allowing the performer to execute the piece with greater precision and focus while maintaining control over accuracy and speed at each stage.

The Digital products, Books with CD, such as eLearning videos, PDF Files, and Musical Notes are Non-Refundable.

  • Number of pages: 48
  • Size: 11" X 8.5"
  • Soft Cover
  • Publisher: Khonyagar
  • Non-refundable
  • Includes a CD

About the Author, Sourena Sefati:

  • Bachelor's degree in Iranian music from the College of Fine Arts, University of Tehran (2000)

  •   Master's degree in music performance from the University of Art, Tehran (2006)

  •   Master's degree in music (Theory & Composition) from the University of New Mexico

    (UNM), USA (2022)

  •   Studied contemporary Santour performance with Maestro Ardavan Kamkar (1996-2000)

  •   Studied harmony, counterpoint, orchestration, and priciples of classical and contemporary

    composition with Kambiz Roshanravan, Mohsen Elhamian, Shahin Farhat, Alireza

    Mashayekhi, Patricia Repar, Peter Gilbert, and Richard Hermann.

  •   Taught Persian traditional music system (radif), stage performance, and orchestration at

    the University of Art, Tehran (2006-2013)

  •   Authored the book "Dorrab" (117 Etudes for Santour), published by Khonyagar

    Publications (2014)

  •   Authored the book "Dorrab_Vol II" (Imitation Etudes for Santour), published by

    Khonyagar Publications (2024)

  •   Contributed as a composer to numerous music albums, including Goshayesh, From

    Deceitful Ages, Arghavan, The Sound of Peace, One Sky, Fandango at the Wall, and also

    participated in over sixty Iranian and international music albums (World Music)

  •   Performed at various international music festivals such as WOMAD, NCTA, Festival

    Chords Music, and Forte Music Festival.

  •   Received the best composition award at the Music House Ceremony for composition in

    the album "From Deceintful Ages" (2017).

  •   Awarded Best Composition in the Scott Wilkinson Composition Scholarship, USA

    (2022)

Some Audio Samples of this book:

https://cdn.shopify.com/s/files/1/0256/8463/9816/files/16.mp3?v=1710453004

https://cdn.shopify.com/s/files/1/0256/8463/9816/files/25.mp3?v=1710453004

کتاب دُ ّراب (جلد اول) شامل یکصد و هفده تمرین در نُه بخش مستقل برای سنتور می باشد که این نُه بخش عبارتند از: تمرین های یک دست (دست راست و چپ بصورت جداگانه)، تمرین های ریز، تمرین های پاساژ، تمرین های آرپژ، تمرین های جفت مضراب، تمرین های دو راست-دو چپ، تمرین های آرپژ-جفت مضراب، تمرین های دُ ّراب چپ و تمرین های کنترپوانتیک. بدین ترتیب تلاش شده است برای تمامی ابعاد تکنیکی این ساز تمرین های مناسبی فراهم شود. همه تمرین ها در گام شور ُسل نوشته شده اند تا نوازنده برای تمرین بخش های مختلف کتاب، نیازی به تغییر کوک سنتور نداشته باشد. برای اجرای تمرین های کتاب دُ ّراب، سرعت یا تمپوی خاصی مدّنظر نیست. بهتر است در هر تمرین، از مترونوم استفاده شود تا نوازنده با دقت و تمرکز بیشتری قطعه را اجرا کرده و میزان توانایی خود را از نظر دقت و سرعت اجرا در هر مرحله کنترل نماید

 

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